A leading opera house called off a production of Mozart's "Idomeneo"
that features the severed head of the Prophet Mohammed, setting off a
furious debate Tuesday over Islam, freedom of speech and the role of
art.The furor is the latest in Europe over religious
sensitivities -- following cartoons of the prophet first published in a
Danish newspaper and recent remarks by Pope Benedict XVI decrying holy
war.
Kirsten Harms, director of Berlin's Deutsche Oper, announced
"with great regret" that she had decided to cancel the three year old
production after state security officials warned it could provoke
dangerous reactions in the current politically charged climate.
After its premiere in 2003, the production by Hans Neuenfels drew
widespread criticism over a scene in which King Idomeneo presents the
severed heads not only of the Greek god of the sea, Poseidon, but also
of Mohammed, Jesus and Buddha.
The severed heads are an addition
by director Neuenfels to the 225-year-old opera, which was last
performed by the company in March 2004.
Harms defended her
decision, which she described as "weighing artistic freedom and freedom
of a theater ... against the question of security for people's lives."
But the move immediately provoked strong reactions across Germany.
Outraged
politicians called the decision to pull the production "crazy" and "a
fatal signal" of caving into extremism. Response from Germany's Islamic
community was mixed, with some praising the decision and others calling
on Muslims to accept the role of provocation in art.
The leader
of Germany's Islamic Council welcomed the move, saying a depiction of
Mohammed with a severed head "could certainly offend Muslims."
But
in an interview with German radio, Ali Kizilkaya added: "I think it is
horrible that one has to be afraid ... That is not the right way to
open dialogue."
The leader of Germany's Turkish community said it was time Muslims accepted freedom of expression in art.
"This
is about art, not about politics," Kenan Kolat told Bavarian Radio. "We
should not make art dependent on religion -- then we are back in the
Middle Ages."
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